Poetry
Helpline / Hold Music
I fumble with the details like I’m shuffling a pack of cards underwater, awkward and
slow, as rigid certainty gives way to mulch. I said / she said / he said nothing, and the
rain blew through the open window, and the bus left town with nobody waving
goodbye. Early Bowie on a cheap record deck. Pills swallowed in a stranger’s room.
Streets became sick veins, pumping poison in ever-decreasing circuits, and the city’s
flesh and bones grew tough and slow. In a seedy loft, I cut cards with rough speed
and tied a snake around my neck. I said / she said / he said nothing, and the rain
rained forever in a single night, the waters rising with all the predictability of a myth
we take for granted. Forty years later, I am in a room full of straggly pot plants and
empty boxes. The door may or may not be locked, but I’m too tired to check. The
details are clear as crystals in a run-down museum, my pockets full of business cards
of people I’ve already forgotten. Voices crack behind paper-thin walls. He says / she
says / I fumble with even the simplest expressions.
Oz Hardwick
Oz Hardwick is a European poet, photographer, occasional musician, and academic, whose work has been widely published in international journals and anthologies. He has published “a dozen or so” full collections and chapbooks, including Learning to Have Lost (2018) which won the 2019 Rubery International Book Award for poetry, and most recently Retrofuturism for the Dispossessed (2024). His manuscript Orion Highway won the 2024 Dolors Alberola International Poetry Prize. Oz is Professor of Creative Writing at Leeds Trinity University.