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Poetry

Bird Feeder

Elina Petrova

Volume 9, Issue 2 ,

Photo by Joshua J. Cotten on Unsplash

A cardinal snacks on sunflower seeds.
Two feet from the feeder to my patio table — blue,
with yellow chairs just painted by my father.

            A year together. Three days he’s been
            back in Ukraine, in his safe village…“he’s got family” —
            I lull my conscience, bitch.

The bird feeder (the forked leg of whose iron pole
my dad straightened to pull the squirrel baffle on) —
the heart of my yard.
                    It’s full of flying beings.
Wrens with chickadees. Finches, klutzy doves.
And here is my favorite — the cardinal.

            Buses. Buses to the no-fly zone. Pushing
            bags forward and hopes forth. Krakow ⟶
            border ⟶ Lviv ⟶ Uman ⟶ Kyiv.

Dad stopped by Kraków, I saw him
in a dream, an aged traveling monk: coarse
gray frock with a cowl and a rope belt.
The monk?
           Even in mom’s hospice ward
he never talked beyond things to bring, buy or fix—
anything but intangible, winged, of Spirit.
But doesn’t Spirit mean love in verb form?
Why can’t I, a birder, fix father’s burdens?
As my neighbor says:
       “Bring ’em all from Ukraine.”

Elina Petrova

Elina Petrova lived in Ukraine until 2007, where she worked in engineering management. Her debut book was in Russian. In the U.S. she published Aching Miracle (2015) and Desert Candles (2019) poetry books, and an award-winning chapbook A Bird from Ukraine (2026). Elina’s poems appeared in Chicago Quarterly Review, Notre Dame Review, Passages North, North Dakota Quarterly, Texas Review, Porter House Review, Sequestrum, Southwestern American Literature, Pedestal, FreeFall. A short film featuring her poem won Best Cinematic Poetry at the 2023 Miami Chroma Film Festival.

In Volume 9, Issue 2